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on dogs and cheap paint

Summary:

The man doesn’t always like to be touched,
but sometimes, when no one is around and the lights are out,
he asks the painter to hold him tight.

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a little collection of poems i made using exclusively lines from archivistbot responses about the man without a dog and the painter

Notes:

These are a bunch of poems I arranged sometime in 2020 that I found in the last month. It was an exercise to have fun with poetry again and to play around with the idea of what it is to make fanwork using exclusively words that are not your own, with these words also being AI-generated using canon text that has been shaped by fan responses using only words made within a 'storyline' that was entirely created by the AI and fan responses. Its wild to look back on what I was thinking about when it comes to AI and art considering the current landscape.

Also, when I did this originally I was making heavy use of where sections were on the page to express Things but I'm not proficient in ao3 workskins to figure out how to make that work :,(

I'd definitely recommend checking out https://archivistbot.tumblr.com/tagged/jeannot and generally the archivistbot tumblr

Chapter 1: DEVOTION

Chapter Text

When the painter is drunk, he starts to believe that he is in love with the world.

“Can you see it?” he says. “Don’t you see it too? Everything is perfect. Everything is completely and exactly as it should be.”

“I can’t see anything,” the man without a dog says.

“I can barely see you.”

 

When the painter is particularly drunk, he lies more fervently than ever:

he says he knows

the names of all the stars in the sky,

he says he’s eaten the hearts of men,

he says

he has lived a thousand lives

and remembers each.

“I was once a lion, I was once a jackal, I was a king, I was a prophet.

I have held the hands of the most beautiful people.

I have slept on the most luxurious beds.

I have known love,”

he says. “I loved and

was loved.

The man without a dog believes him, he always does.

he smiles when

the painter tells him that

Death is not real.

 

“I don’t think I have it in me to love
anyone,”

he says.

“But I would like to be loved. I would like

to be loved.”

The painter is nothing more than a collection of holes and cravings.

He is a want that has forgotten the word “enough.”

 

The painter doesn’t like the way he looks.

He wants to be taller, sometimes he wants to be shorter.

He never likes the haircut he has, he never likes the clothes he wears.

Nothing he does is ever perfect, he knows this.

He thinks of himself as a failed creation.

“I used to be much more handsome than
this,”

he says to the man without a dog.

“When I was young, I was not like this at
all.”

He believed

he was the only two men in the world, and that

he had no befores or afters, and that

he was fixed in space, in a kind of eternity,

in a kind of shock.