Chapter Text
A NOTE TO THE READERS: This chapter can be skipped and is not part of the actual story, this is just a preface to the organisation of the books in this series and the chronology of the stories. You do not have to read this if you have no intention of reading any of the other stories in this universe when they are published. Skipping this chapter will not result in any lacking context for the story, nor will reading it result in any spoilers for the plotline or the relationships between the characters. Read at your own leisure and by your own volition.
Thank you for your time :)
Welcome one and all to The Iron Harvest universe! It’s a pleasure to have you here. Before you settle in, I’d like to offer some friendly advice on the order to read the books that centre within this fanfictional universe for the ease and comfort of you, my esteemed readers.
THE SERIES IN CHRONOLOGICAL ORDER
1 | The Iron Harvest
Total number of chapters: 113
Timeline: 127 AC - 129 AC
1.5 | The Copper Seeds
Total number of chapters: 37
Timeline: The Summer of 129 AC
2 | The Golden Fruits
Total number of chapters: 102
Timeline: 129 AC - 130 AC
3 | The Starving Bronze
Total number of chapters: estimated 110
Timeline: 130 AC - 133 AC
BONUS CONTENT:
0.1| As High as Honour (a Jeyne Arryn story)
0.2| We Light The Way (a Gwayne and Alicent Hightower story)
- After nearly a decade away from court, seven and ten summers old Gwayne Hightower returns, transcended from squire to a green knight.
0.3| Blood Upon the Sand (Aegon II x Aliandra Martell)
0.4| The River of Blood (an Oscar Tully story)
0.5| Three Towers of the Whispering Sound (A House Costayne story)
0.6| The House of a Thousand Suns (a Qoren Martell story)

The following is everything that you need to know prior to reading this story:
Firstly, It contains multiple first person POVs as indicated by the character name at the start of each section.
The POVs for this story are that of the following people: Sovya Arryn, Helaena Targaryen, Jacaerys Velaryon, Jeyne Arryn, Alicent Hightower, Gwayne Hightower, Aegon Targaryen, Aemond Targaryen, Joiya Corbray, Titus Costayne, Larys Strong, Aliandra Martell, Cregan Stark, Tyland Lannister
These voices are distinct, flawed, biased and deeply human; they will contradict one another, misunderstand one another, and occasionally reveal truths the others cannot see. Each one of them brings their own history, prejudices, and emotional landscape to the page. Some will be reliable. Some will lie to you. Some will lie to themselves.
Secondly, the total length of this series will reach close to 350 chapters by the time it is fully completed.
Take that as you will. You will have probably looked at the word count and the number of chapters before deciding to read this like the smart cookie you are, but if you haven’t, this is your warning. This work is a behemoth of a task, both reading and writing, and I applaud anyone who makes it through this journey with me.
Thirdly, this story uses multiple languages including High Valyrian.
I make a habit of trying to learn and use fictional languages of the fandoms I consider myself a part of, and High Valyrian is one of the languages I have taken to learning, and so I like to try and use it, with the assistance of online translators and the High Valyrian dictionary that is frequently updated with more vocabulary. I will do my best to provide translations on as much of it as possible, usually in italics directly after the High Valyrian speech to indicate that that is the translation.
Fourthly, this is not entirely book accurate or show accurate.
This story does not adhere strictly to either book canon or show canon.
While it draws heavily from the world George R. R. Martin created — its histories, cultures, political tensions, and familiar faces — it also diverges from it in meaningful ways. Some events unfold differently. Some characters develop along alternate paths. Some relationships, timelines, and political outcomes are reshaped to serve the narrative I’m building.
Think of this work as a hybrid continuity: rooted in canon, respectful of canon, but not bound to it.
If you come across a detail that doesn’t align with Fire & Blood, House of the Dragon, A Song of Ice and Fire or any other official material, it is intentional. This story follows its own internal logic, its own emotional arcs, and its own version of history. Canon is a foundation, not a cage.
Fifthly, there are some warnings and ratings that you need to be made aware of.
It is fairly standard for ASOIAF stories on here to have explicit ratings, and to have warnings for violence, sexual content, swearing and character deaths (all of which appear in this story). And while they do appear in this story, I preface by saying that for the most part, they appear in a mild form, yet, there are chapters that are greatly explicit and require various different content warnings.
The following is an exhaustive list of everything that occurs in this story, and will eventually be marked with which chapters it occurs in:
Abuse (in various forms)
Alcoholism
Anarchy
Anxiety
Age gap relationships
Arranged marriage
Asphyxiation
Bathing scenes
Betrayal
Blood and injury
Body dysmorphia
Body shaming
Brutality
Bullying
Cannibalism
Canon-typical violence
Cheating
Childbirth
Choking
Choking (with a rosary)
Classism
Classist ideas
Coercion
Crimes (of various natures)
Death
Domestic violence
Dornish culture and customs
Explicit language
Explicit sexual content
Execution
Forced feminisation
Forced heterosexuality (confhet)
Forced marriage
Forced proximity
Gender based oppression
Gender based violence
Graphic depictions of violence
Grief
Hallucinations
Harm to children
Hate sex
Hate speech
Homophobia
implied/referenced incest
Incest (Targcest)
Infantalisation
Infanticide
Infidelity
Internalised homophobia
Internalised misogyny
Interrogation
Kidnapping
Loss of faith
Loss of identity
Loss of innocence
Loss of trust
Loss of virginity
Love triangles
Manipulation
Masochism
Mental health issues
Misandry
Misogyny
Misscarriage
Murder
Non-consensual drug use
Obsessive behaviour
Panic
Patricide
Patriotism
Period-typical homophobia
Period-typical sexism
Pregnancy
Political alliances
Political backstabbing (including literally)
Possessive behaviour
Power imbalance
Public nudity
rape/non-con elements
Referenced grooming
Referenced rape/non-con
Religious-based violence
Religious conflict
Religious guilt
Religious imagery and symbolism
Religious trauma
Revenge
Ritualistic behaviour
Ritualistic violence/murder
Sadism (including sexual sadism)
Self harm
Sexism
Sexual content (including clothed)
Sexual exploitation of young women by older men
Slavery (in reference)
Suicide (with references to)
Torture
Toxic masculinity
Trauma
Underage prostitution
Unhealthy relationships
Vomiting
Voyeurism
War
War crimes
