upserna
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Summary
“Is it so unthinkable of a suggestion? Am I that off-putting, that horrible that you cannot even imagine pretending to date me?"
"No, Fran. It's not that. It's—" Michaela stopped, shaking her head and sighing. "You deserve more than that. More than what I'm looking to offer."
"I want nothing more!" Francesca spoke too emphatically, drawing attention to herself. "It's seamless. It solves both of our problems. You get a steady, unobjectionable partner and in turn, the estate. I get a reprieve from my family's haranguing, as they'll see I'm happily coupled. Nobody needs to know that our partnership is platonic masquerading as something more."
OR
Michaela can’t inherit the Stirling Estate unless she reforms her womanizing ways and Francesca can’t get her family to cease their incessant badgering about her finding true love. Realizing they both stand to gain from a relationship, they start up a fake one. Inconveniently for their plan, they’re already in love.
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'“I see you’ve noticed Satan over there.”
“Huh?” Adora felt her cheeks flushing red as she tore her gaze away from the girl and turned to whoever had spoken. “Sorry, were you talking to me?”
The gorgeous girl strutted past them without a single glance, like she was totally oblivious to how much the world seemed to want her. The girl who had spoken to her followed the other girls down the hallway with her gaze. An intense wave of dislike seemed to emanate from her.
“Satan,” the girl repeated, nodding down the hallway once the other girls turned the corner, “Catrina Driluth, but everyone just calls her Catra. Head cheerleader. All the girls want to be her, all the guys want to fuck her, and she’s completely fucking evil from head to toe.”'
Or, Catra is the bitchy head cheerleader and Adora is the socially awkward new girl. What could go wrong?
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Almost Yours by flyingchansey
Fandoms: A Song of Ice and Fire - George R. R. Martin, Game of Thrones (TV)
06 Sep 2026
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Summary
Sansa Stark is trying to get through the semester. Margaery Tyrell makes that very difficult.
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Summary
"Do you always come to the door dressed like that?" Emily heard herself ask, and immediately hated it, because it had come out as though she'd noticed, when the entire point was that she had not.
"Only when someone knocks." The corner of the woman's mouth went up. "Should I have changed? You'd have waited. I'd have liked knowing you were out here waiting for me."
"Is this how it works over here? You do a favour and then flirt with the woman on your doorstep and call it neighbourly?"
"Is that what you think I'm doing? Flirting?"
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Or the one where Emily ends up letting the vampire who is great with her children drink her blood once a week for purely practical reasons. Like super practical. So practical. Please stop looking at her like that, Serena.
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Summary
Three weeks after ending a ten month situationship, Trinity Santos transfers to night shift hoping that new routines, new people, and a new shift will be enough to outrun one heartbreak.
Instead, she finds Jack Abbot loudly claiming her as one of his own, John Shen making coffee that should qualify as a controlled substance, Parker Ellis providing an endless running commentary, Crus being Crus, and Emery Walsh appearing often enough that "coincidence" starts losing all meaning.
As impossible traumas, 3am coffees and endless night shifts slowly become routine, strangers become family and nights begin to feel like home. For the first time in a long time, Trinity starts building a life she never thought she'd have.
But healing is rarely linear, and some ghosts don't stay buried just because you've changed shifts. When the past finally catches up with her, Trinity is forced to decide whether letting someone truly know her is worth the risk of losing them.
Sometimes the hardest part isn't surviving what happened to you. It's believing someone could know all of it and choose to stay anyway.
Emery Walsh has decided. She isn't going anywhere.
Or: The slowburn walshtos I want in the world