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Summary
It's 1974. Paul and Robert take a much needed summer holiday on Fire Island. No bummers.
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Summary
He liked it, the dirty little sod, he liked to be used and fucked, he liked having their come in his mouth and his arse, to be spat out or washed out but always marking him as theirs. He belonged to them, but didn’t he belong to all of them, including John?
While recording an album at Stax Records in Memphis, the sexual dynamics of the group begin to change - and John and Paul aren’t ready for it.
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That could be why he thought all those things about Paul, why he watched him the way he did.
He just wanted Paul to teach him. Simple as that. It was fair, really, he was inexperienced, still had a lot to learn, a fact Paul and John often reminded him of. Paul would probably be pleased to help him, tease him a little, for not even having made a girl feel that way before, but he’d help him.
(Or, George sees Paul kissing a girl and decides he wants Paul to teach him how to kiss properly)
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Summary
He'd known George for what felt like most of his life; he was just George, who loved guitars and cars, with a wicked sense of humor, and an independent streak wider than the Mersey. He never would have dreamed that George could inspire a feeling like that.
During the Revolver sessions, Paul and George come to an impasse.
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Summary
Paul lets the grin take over. “Yeah?” He doesn’t quite waggle his eyebrows, but it’s a near thing. “And then you’ll let it go? Water under the bridge?”
Shortly before Wings go on stage at the Forum in 1976, Paul gives George Martin three and a half minutes to work out his feelings about “She’s Leaving Home.”
Series
- Part 2 of Paul/GM Impact Play

